ACT ONE:
EXT. STREET
Allison walks with the case computer. She starts to remember events that happened fifteen years prior.
EXT. PARK - FIFTEEN YEARS AGO
VERONICA, ALLISON'S mother, plays ultimate Frisbee with her ten year old daughter. She throws her a hard disk, and she has to run to get it, but she pulls a muscle and has to sit down.
ALLISON
You're getting old mom!
VERONICA
It's an old sports injury, you know.
ALLISON
Come on, Mom, what injury?
VERONICA
Give your mom an excuse here, kiddo.
Allison sits beside him.
ALLISON
How long are you going to be gone for?
VERONICA
Just two weeks. It'll pass really
quickly, beside you're going to be
with your Aunt Helen, and your
cousins, sleeping late, eating
cookies.
Allison doesn't seem to be too happy. Veronica leans over and whispers in her ears.
VERONICA (cont'd)
I shouldn't be telling you this, but
your mom is working on some really
cool new type of computers. Ones that
you can control with your mind.
INT. MALL - CURRENT DAY
Allison walks through the mall. We can tell from her trajectory that she's heading to a knife shop.
INT. CARNALIS RESEARCH FACILITY - FIFTEEN YEARS AGO
Veronica has the same case computer that Allison found fifteen years later, hooked to a network. The room she's in seems like a cluster computer server room.
On the screen, there is an upload status, indicating that a virus is being uploaded to the computer cluster.
Veronica looks around apprehensively. The upload completes and a pop-up appears with the statement "Network sharing virus uploaded"
Veronica quickly types a few commands and the result after a data dump is: "Network security connection established"
Veronica quickly unhooks the computer and heads out in haste with the case computer. We can tell that this case computer is one of many in the server room.
INT. KNIFE STORE AT MALL - CURRENT DAY
Allison is in the knife shop looking at knives. At first she handles a k-bar, a hunting knife and perhaps a cleaver but then a small and more slender knife (a stiletto) catches her eye.
INT. OFFICE ROOM - FIFTEEN YEARS AGO
Veronica is tied down to a chair. Her face looks bruised.
Pre-priesthood Fr. Moses nails her with a punch right to the face.
FR. MOSES
I hate to be doing this to a lady.
But my boss wants results. So just
tell me where you hid the documents
that you stole.
VERONICA
I told you, I don't know what
documents you're talking about.
Wham, Fr. Moses punches her again. Veronica spits out blood.
FR. MOSES
You have a kid right? It'd be a shame
if she gets in an accident.
VERONICA
(angry)
Leave my kid out of this.
Fr. Moses leans closer to the bruised Veronica.
FR. MOSES
Well, that depends completely on you,
doesn't it?
Fr. Moses winds up to hit Veronica again.
VERONICA
Alright, alright, you win.
Fr. Moses backs up with a smile on his face.
The image now appears as if it's a video footage. We zoom out of the screen, as the footage get paused with Fr. Moses' face frozen in the middle of the screen.
INT. STORAGE ROOM - CURRENT DAY
Allison looks at the screen with tears in her eyes. Soon after the expression on her face changes to anger.
INT. CHURCH
Allison sits in one of the pews and watches another video her mother left her on the case computer. She examines the knife that she purchased.
INT. STORAGE ROOM - A DAY AGO
Veronica talks into the camera. Her face is bruised.
VERONICA
Allison, I'm not sure if I'm ever
going to see you again, but I want you
to know, that I had no choice.
Carnalis, the company I work for, is
developing new HMI technology. They
are planning to embed a computer chip
directly in the human brain and they
are experimenting on human subjects.
I don't know who to trust anymore.
They control everything, the police,
even the politicians. Allison, I
don't know when or even if you'll get
this, but if you do and I'm not
around, this computer is the key to
uncovering their plan
There is a sound of knocking on the door. They sound like police officers.
POLICE
This is the police, open up.
VERONICA
(hurriedly)
Everyone thinks I just got some
documents, they know nothing about
this computer. I'm remotely sending
this video feed to it. It's hidden
in.....
Suddenly the door bursts in and a bunch of S.W.A.T. stream in, guns drawn.
POLICE
On the floor. Now.
The video ends.
EXT. CHURCH - NIGHT
Fr. Moses approaches his car. It's the only one in the parking lot. Suddenly, Allison hits him from the back with a 2x4 piece of wood. He hits the car and lands with a thud.
When he tries to get up, she hits him again. It's Allison.
Now he's dazed and confused. He flips over and immediately Allison is at him with her knife on his neck.
ALLISON
You killed my father.
FR. MOSES
This is not going to bring him back.
ALLISON
(pressing the knife
at his neck)
But you'll get what you deserve.
Fr. Moses is not resisting.
FR. MOSES
I already got what I deserved, 10
years in prison, Allison, and I didn't
murder your father. But whoever he
crossed, probably did.
ALLISON
What do you know about it?
FR. MOSES
Nothing, at the time I worked for
QUIN. We were just hired guns.
Allison appears really angry.
FR. MOSES (cont'd)
This isn't you, Allison. You're not a
murderer. I understand your grief and
I know I'm responsible for it, and God
knows, I have tried my best to fix all
the terrible things I did...
ALLISON
Just stop talking.
POV: DIFFERENT ANGLE
We see a pair of feet come and stand right behind Allison.
It's the ASSASSIN.
ASSASSIN
(coldly)
I always say, don't pull out a weapon
unless you're willing to use it.
Allison does something unexpected, without thinking twice, she spins around slashing at the Assassin, the Assassin blocks the knife like stone but it cuts him across the arm, staining his shirt red. He drops the gun. Alison tries to charge at him with the knife but he easily knocks her away.
She falls on the floor the breath knocked out of her.
The Assassin readies his pistol to execute Alison. Sam charges him instead and the gun discharges harmlessly into the air. A fist fight ensues.
As they struggle and Sam sees a distinctive tattoo on his wrist. The Assassin is quickly back on his feet again and he gains the upper hand against Sam. Using brutal and stone hard moves, the Assassin pacifies Sam as well.
The Assassin turns back towards Allison but he suddenly catches three bullets in his chest (two upper right, one lower left, wider spread.) The Assassin falls to the pavement.
SAM
(to Allison)
Let's go.
They head to Fr. Moses Car, get in and drive off. Allison doesn't forget to take the case with her.
The Assassin is still for a moment, but then moves, and opens his shirt to show that he's wearing a bullet proof vest.
END OF ACT ONE:
ACT TWO:
INT. FR. MOSES' CAR
Allison and Sam are in the back seat.
SAM
Are you alright?
Allison's hands are shaking and she's staring at nothing.
Sam holds her pressing her head against his chest in a hug.
SAM (cont'd)
It's okay, it's okay. I'm here.
She looks at him and they share a moment, looking into each others eyes, Allison's being teary.
FR. MOSES
Hate to break it up, but what's in the
case? I'm guessing that's why that
guy was after you.
Sam notices the case for the first time. He looks at it and then he's propelled into another future glimpse.
The implant in the back of his head starts sending electrical surges through out his body. Suddenly the car's electronics go haywire, that Fr. Moses swerves to the side of the road, almost unable to bring the car to a stop.
FR. MOSES (cont'd)
What's going on?
Allison notices the extreme headache that Sam is feeling, and she holds his face to steady him.
ZOOM IN: SAM'S EYES
EXT. STREET
Fr. Moses' car is parked in an empty parking lot, when the Assassin comes around and shoots the car up.
Cut to, a shot of his tattooed arm picking up the case from the hands of a dead Allison.
INT. FR. MOSES' CAR
Sam comes back to, as a stream of blood flows from his nose.
He wipes it out.
SAM
Allison, you're not safe. That guy is
going to come for you again. You have
to get rid of that case.
ALLISON
No. This is the only thing I have
from my father. I won't give it up.
Sam looks her in the eyes, and sees her determination.
SAM
Okay, but we'll need help.
INT. HOSPITAL CORRIDOR
It's late at night and the corridor is somewhat empty.
TRACK SHOT: CAMERA TRACKS INTO ONE OF THE ROOMS
INT. HOSPITAL ROOM
Juliana is on a bed, her wounded shoulder is bandaged up.
Allison and Fr. Moses walk into view, startling her from her sleep.
JULIANA
What are you two doing here?
ALLISON
Juliana, I know that I'm the last
person you want to see, but I need
your help.
EXT. DARK ALLEYWAY
Sam is in a dark alleyway, holding a briefcase, waiting. The place is giving him the creeps, but things take a turn to the worse, when a couple of armed guys block the entrance to the alleyway. The atmosphere tenses up.
One distinguished man, INFORMANT, walks from among the armed guys.
INFORMANT
You have the money?
SAM
20k as we agreed.
INFORMANT
Put it there and back up.
SAM
What about the information?
INFORMANT
Put it there and back up.
Sam complies, and places a picture of the tattoo he saw on the man's hands. The man walks forward and checks the money and looks at the sketch of the tattoo.
INFORMANT (cont'd)
He's not one of us.
SAM
I know that. How can I get a hold of
him?
INFORMANT
You don't, and you better hope he
doesn't get a hold of you.
SAM
That's not our agreement. You said
you had information.
INFORMANT
I know who you can talk to, but they
don't like people meddling with their
business.
INT. FR. MOSES' CAR
Juliana, Allison and Fr. Moses are in the car. Juliana examines the case carefully. She looks like she's not feeling well.
FR. MOSES
I really don't think this is a good
idea. Juliana should be in the
hospital.
JULIANA
I got lucky, it was only a flesh
wound. Didn't even penetrate the
shoulder, thanks to Sam.
Juliana turns the case away from her and opens up the case.
Immediately, the camera spins attempting to take a picture.
JULIANA (cont'd)
Give me a piece of tape.
Fr. Moses opens the glove compartment, and gives her black, electrical tape.
She tapes the lens of the Camera.
JULIANA (cont'd)
That's probably how they found out
about you.
Juliana is now typing vigorously.
Juliana looks at some output.
JULIANA (cont'd)
Oh man.
(to Fr. Moses)
Drive. Now.
Fr. Moses drives.
INT. OFFICE
Sam enters an office to be greeted by an attractive young lady. What Sam doesn't notice, is that underneath her desk is a derringer that's secured there. She reaches for it quietly as she smiles at Sam.
RECEPTIONIST
How can I help you sir?
Sam puts the sketch of the tattoo in front of her. He can tell immediately that she recognizes it.
SAM
I'm looking for a guy with that
tattooed on his wrist. Can't be many
out there.
RECEPTIONIST
(calmly)
Sorry, but I can't help you.
Her hand slides quietly from the gun to a small button, that she presses. Immediately, the door behind her opens and two big guys come out.
SAM
I take that as an admission of guilt.
The two big guys circle around the desk and point for him to leave.
RECEPTIONIST
I'm afraid, I'll have to ask you to
leave.
The two big guys practically drag him away.
SAM
Give him a message for me. Tell him
I'm going to bring him down.
Sam is thrown out.
INT. FR. MOSES' CAR
Fr. Moses receives a phone call from Sam.
FR. MOSES
Sam, is everything okay? Did you find
out who this guy is?
INT. SAM'S CAR
SAM
Yeah, it's not good news. He's a
contract killer.
FR. MOSES (V.O)
Lord, have mercy.
SAM
Do you still have that case?
INT. FR. MOSES' CAR
Fr. Moses looks back at Juliana and Allison working on the case.
FR. MOSES
Yeah. Juliana says she figured out a
way to disable the GPS, which is how
they were tracking Allison. Sam, we
have to go to the police.
SAM (V.O)
They won't help us, from what Allison
found on the computer, Carnalis
controls them.
INT. SAM'S CAR
SAM
Father, you have to get them to the
safe house.
FR. MOSES (V.O)
We're heading there right now. What
about you?
SAM
I think I got our friend's attention.
So I'm going to buy you sometime.
FR. MOSES (V.O)
What do you mean, buy us time? Sam
you're dealing with a professional
hitman. It's no joking matter.
SAM
I can handle...
Before Sam could finish his line, as he crosses an intersection, where his light was green, another big SUV, T- bones him, shoving him right over the bridge he was crossing, into the water.
END OF ACT TWO:
ACT THREE:
EXT. CABIN IN THE WOODS
Allison walks to the car and tries to open the locked door, before Fr. Moses grabs her from the shoulders. Juliana stands at the door of the cabin.
FR. MOSES
Allison, I know what Sam means to you.
But there is nothing we can do except
to pray for him.
Allison waves in frustration.
ALLISON
How's that going to help?
Fr. Moses extends a hand to Allison, who hesitates for a second, and then takes his hand. Fr. Moses extends his other hand to Juliana.
FR. MOSES
Juliana.
Juliana walks to them and takes his hand, forming a triangle.
FR. MOSES (cont'd)
Lord, we stand here powerless to
change anything. We're pressed out of
measure, above strength in so much
that we're despairing even of life.
EXT. UNDERNEATH THE WATER
Sam's car sinks.
FR. MOSES (V.O)
It feels like we have the sentence of
death in ourselves that we shouldn't
trust in ourselves, but in You, God,
who raises the dead...
Close up of Sam in the driver seat unconscious. The car is full of water. He is drowning, when the implant sends a surge through his body that jolts him back to consciousness.
He struggles with the door.
FR. MOSES (V.O) (cont'd)
who delivered us from so great a
death, and continue to deliver us. We
trust that you will deliver Sam from
all harm. Amen.
Sam is finally able to force the door open, gets out of the car and starts to swim up.
INT. CABIN IN THE WOODS
Allison's tears roll down her cheek as she sits down with a sense of defeat. A moment passes, as all seem to be down on their luck.
Suddenly they hear movement outside the front door, and some uneven knocking. The atmosphere tenses up, but Allison, is the first to go and open the door, followed closely by Fr. Moses.
Allison opens the door, and finds Sam standing there, partially wet and cold.
SAM
Miss me?
He stumbles in and collapses onto a couch in front of Allison and Fr. Moses.
FADE TO BLACK:
EXT. CABIN BY A CLIFF
Sam is hid in the midst of some bushes using binoculars to watch the activity around the house. He sees BUTCH guarding the house. From the window he can see Kylan and Ethan arguing. He points his binoculars to different areas around the house but he doesn't see anything.
INT. CABIN IN THE WOODS
Allison and Fr. Moses stand around Juliana, who's working on the case computer, as she explains to them what she found.
JULIANA
I was finally able to decrypt the
documents that were downloaded
automatically.
Juliana opens the documents, one by one.
FR. MOSES
These are all reports on the deaths of
human subjects after some sort of
surgical procedure.
EXT. CABIN BY A CLIFF
Sam moves swiftly through the forest, getting closer to the cliff.
ALLISON (V.O)
Not any surgical procedure. They were
implanting some sort of computer chips
in their brains.
POV: CLOSE UP OF SAM'S SCAR
JULIANA (V.O)
Which explains why they are so keen on
getting their hands on UltraMed's HMI
research.
POV: BUTCH NOTICES MOVEMENT IN THE FOREST
He draws his gun and moves towards the movement to check it out.
Once he enters the forest, Sam attacks.
INT. CABIN IN THE WOOD
JULIANA
But that's not the most disturbing
news. Look at this.
Juliana opens a document, with Sam's picture on it.
FR. MOSES
Lord have mercy. Sam has one of these
in his head.
JULIANA
That, and he's suppose to be dead.
According to this report he died a
year after the implant because his
body rejected it.
ALLISON
Yet the tracking system, you hacked
in, is still able to track him, and
the assassin.
JULIANA
I'm assuming that the system is able
to track them using the chips
implanted in their minds, but it'll
take me sometime to be able to
understand more. This is very
complex.
That's when Sam calls, Juliana puts him on speaker.
ALLISON
Sam, what's happening?
EXT. CABIN BY A CLIFF
SAM(V.O)
I'm almost in, but I need to know
where the assassin is.
Sam takes the gun from the unconscious Butch, after he tied his legs and hands.
He uses his binoculars to try and find something out in the forest, but can't.
JULIANA (V.O)
Let me check.
INT. CABIN IN THE WOOD
Juliana watches a map, on the computer screen, with a couple of dots on it. Each dot has an ID-tag associated with it.
On the side panel, each ID-tag has a set of changing information underneath it, divided into three sections: Health Status, History, Current Commands. The current commands and history sections are continuously changing. The data is encrypted.
Juliana talks on the phone with Sam.
JULIANA
According to this tracking system, the
killer should be no more than a
hundred meters from your location.
SAM
Then what's he waiting for? I'm going
in.
Allison stands beside Juliana looking quiet worried.
INT. CABIN BY A CLIFF
Sam is in the cabin, walking quietly towards the room where Kylan is. As he walks through a corridor he passes a mirror and he looks at his reflection and immediately notices the angry look on his face.
FLASHBACK. EXT. CABIN IN THE WOODS
Fr. Moses stands outside with Sam as he prepares to leave.
FR. MOSES
When you get there you might have a
strong urge to take revenge. Remember
God loves even the worst of sinners,
trust me, I know that first hand.
INT. CABIN BY A CLIFF
Sam moves on until he reaches the room where Kylan and Ethan are. The door is slightly open. Sam slides in gun first.
KYLAN
All I'm saying is we should ask for
more money. We took a big risk.
SAM
It was a big risk.
They both turn to Sam astonished.
ETHAN
You're still alive!
SAM
Lucky for you I am, cause Carnalis is
going to kill you, just like they
killed your father.
Suddenly a shot penetrates the window and takes out Kylan. Then another shot nails Ethan in the shoulder just as he is taking cover. Sam takes cover as well, but takes the opportunity that the assassin is not firing and he fires back in the general direction of enemy fire. However, the assassin responds in kind.
Sam crawls to Ethan and checks his wound.
SAM (cont'd)
We need to get you to a hospital.
ETHAN
I don't understand.
SAM
Carnalis was never planning to hold up
its end of the bargain. That's why
they're paying you in counterfeits.
They're cleaning up after themselves.
Just like they did with your father.
Give me your jacket.
ETHAN
What?
EXT. CABIN BY A CLIFF
Sam runs out wearing Ethan's jacket, attracting fire from the assassin before he disappears into the forest.
POV: ASSASSIN PUTS AWAY HIS RIFLE.
He picks up his hand gun and heads after Sam thinking it's Ethan.
POV: SAM REACHES A CLIFF
It's a dead drop to sharp rocks and the crashing waves of the sea. Sam stops at the edge. The assassin catches up.
ASSASSIN
End of the line.
Sam turns to face the assassin who shows very slight expression of surprise. The assassin decides to shoot, but before he could do anything, the wounded Ethan comes from behind him and hits the assassin with a hammer.
The reaction from the assassin is to turn as he absorbs the hit and fires a shot that takes out Ethan's thigh. Sam takes this opportunity to tackle the assassin, but the latter is really skilled and appears to be prepared for Sam's attack. A fight ensues in which Sam is at a disadvantage.
The assassin is able to temporarily incapacitate Sam and grab the gun. Ethan is fallen closer to the edge of the cliff.
The assassin turns to him and points the gun in preparation to take him out, but Sam, tackles him and both go off the edge of the cliff, towards a 200 feet deathly drop.
END OF ACT
THREE:
ACT FOUR:
EXT. RESEARCH FACILITY
A research facility stands in the middle of no where.
INT. RESEARCH FACILITY
We travel through the empty, slick corridors, until we reach an elevator door.
INT. RESEARCH FACILITY - ELEVATOR
Sam, Allison and Juliana are all in the elevator, facing the elevator door in anticipation. Sam has his gun ready.
JULIANA
This whole facility seems to be
automated, and is it just me, or is
this whole place in tune with you,
Sam? It's been way too easy getting
this far.
SAM
Not sure if easy is the expression in
mind.
FLASHBACK. EXT. CABIN BY A CLIFF
Sam tackles the assassin and they both go off the cliff, but Sam is able to grab hold onto a protruding rock. But his grip is fast slipping.
Ethan, however, is able to grab a hold of Sam's hand and help him up to safety.
Sam grabs his phone and dials 911.
OPERATOR
911. Is this an emergency?
SAM
Yes. My friend has been shot and is
losing a lot of blood.
Sam leaves the phone beside Ethan.
OPERATOR
What's you're address?
ETHAN
(exhausted)
Why?
SAM
(to Ethan)
Everyone deserves a second chance.
Use it well.
INT. RESEARCH FACILITY - ELEVATOR
The elevator door slides open quietly. The floor indicator, shows that they are on the R&D level. In smaller print is the words "Authorized Personnel Only"
SAM
Hang back.
Sam exits first his gun ready, looking in all directions for any potential threats.
FLASHBACK. INT. CABIN IN THE WOODS
Fr. Moses, Sam and Allison stand around Juliana who's working on the case computer.
JULIANA
I don't think we're out of the woods
yet. This system, which I was able to
hack in, started tracking someone
else.
FR. MOSES
What does that mean?
Juliana points at the screen under "Current Commands".
JULIANA
You see we know that this system
tracks individuals with implanted
chips. The only way they can do that
is if some how the chips are
networked.
ALLISON
You mean that Carnalis is able to
download data into Sam's brain?
JULIANA
The system seems to detect Sam, but so
far I don't see any communication with
his chip. That brings me back to
this.
(points to the data)
I was able to figure out what these
commands mean. They are the exact
same set of commands that were sent to
the assassin.
SAM
Meaning commands to eliminate us. We
have to find the central computer
controlling all this and destroy it.
JULIANA
Only problem, I'm unable to determine
its location.
ALLISON
Wait a second.
Allison takes out the paper on which she wrote the numbers that Sam was repeating. She shows it to Juliana.
ALLISON (cont'd)
Look at this.
Juliana looks at it.
JULIANA
These are GPS coordinates, like the
ones your dad left you. Where did you
get them?
Allison looks at Sam.
SAM
This could be it. Worth a shot.
INT. RESEARCH FACILITY - ELEVATOR
Sam heads back to the Elevator, where Juliana and Allison are waiting for him.
SAM
All clear.
Allison starts to head off the elevator, but just then, things turn upside down. A red light starts to flash, and the doors close, locking Allison and Juliana inside.
SAM (cont'd)
Allison.
Allison looks around panicked.
ALLISON
What's going on?
Two panels extend from each side of the elevator. A timer starts counting down from one minute. Juliana looks at it.
JULIANA
We have to scan our hands on these
panels.
ALLISON
Or what?
Juliana kneels down and opens the case computer, and starts to work on it.
ALLISON (cont'd)
What are you doing?
JULIANA
I can teach or I can do.
ALLISON
Please do.
FLASHBACK. INT. CABIN IN THE WOOD
POV: SAM
Juliana sits with Fr. Moses in the corner. Sam checks his gun and heads outside.
FLASHBACK. EXT. CABIN IN THE WOODS
Sam heads to the car, but before he drives off, Allison gets into the passenger side.
SAM
What are you doing?
ALLISON
You're not doing this alone.
Then Juliana gets into the back seat of the car.
JULIANA
I'm the only with the technical
expertise to pull this off, you know
that, right?
INT. RESEARCH FACILITY - ELEVATOR
JULIANA
Put your hand on the panel.
The count down is now at 15 seconds.
Allison puts her hand on the panel, as Juliana continues to work on the case computer.
The panel scans Allison's hand then turns green. Seven seconds left.
Juliana drags the case computer to the other panel. She puts her hand on the panel, and tries to work on the computer with the other hand, but the ergonomics are just not working.
Times up.
Suddenly the panel scans her hand and turns red. Then Juliana goes stiff and her whole body shakes as she receives an electrical shock.
ALLISON
Juliana!
The panel turns off and Juliana collapses. Allison hurries to her.
ALLISON (cont'd)
You're going to be okay.
Juliana looks up at Allison, and half smiles.
JULIANA
(in a faint voice)
It's okay... I'm ready...
She goes limp in her arms. Allison's tears start to flow.
ALLISON
No. Juliana. God, no.
The elevator doors open, and Sam walks in.
SAM
What happened?
FLASHBACK INT. CAR
Sam, Allison and Juliana are in the car.
ALLISON
Hey Juliana, what were you doing with
Fr. Moses?
JULIANA
The last few days made me realize that
life is not for granted, you know... I
just felt that I needed to repent and
confess... Who knows what's going to
happen?
INT. RESEARCH FACILITY - CORRIDOR
Sam and Allison walk through the corridor, with Sam taking point. Allison carries the case computer feeling discouraged.
ALLISON
It's over.
SAM
We'll finish what we started. Juliana
had everything figured out. We just
need to upload her virus to the
central computer.
They approach a huge door, which opens of its own accord as Sam approaches it. They enter a huge circular room.
Computer panels line up the entire wall.
Allison hurries and puts the case computer in front of one of the panels, opens it and initiates a program that Juliana has written.
ALLISON
Alright, Juliana's program is running.
Sam doesn't answer, as he walks to the center of the room.
Just as he gets into the center, a bright light shines around him and a holographic interface is formed around him.
ALLISON (cont'd)
Sam!
But Sam closes his eyes and extends his hands, as if wanting more of whatever he's getting. A few images flash in rapid successions, as Allison walks closer to him, then the images start to become clearer. There is an animation of how the chips are planned to be implanted in new born babies.
ALLISON (cont'd)
Oh God, what is this?
SAM
This is the future. Full integration
into the network. We'll be able to
control the masses, influence them to
a much greater extent than we are able
to. Today, we control the flow of
information, shaping to some extent
their view of the world. Tomorrow,
we'll be able to directly suggest
ideas and motivations into their
minds.
ALLISON
Who's we? Carnalis?
SAM
Carnalis is just a tool. We are much
larger. We are Control.
Allison reaches through the holographic imagery and grabs Sam by the shoulder.
ALLISON
Sam. Let's go.
The holographic images cease as Sam steps away. He turns to Allison coldly.
SAM
Where are we going to go? I'm right
where I belong.
Allison is shocked. She backs up.
ALLISON
No, Sam, what have they done to you?
Sam grabs her arms forcefully.
SAM
You will enjoy the other side.
Juliana's virus is almost fully uploaded. Cut to black when the upload is at 99%.
END OF ACT FOUR: